Colour Element Collocation in Digital Animation Art Design


With the development of modern science and technology, the artistic form of animation has gradually become diversified. As a perfect combination of modern technology and art, digital animation has a unique charm in the display of animation art, which can more vividly express the concern of animation art for the natural world and human society. As one of the important elements in animation creation, color has an incomparable advantage in expressing visual art effects. Starting from the basic characteristics of digital animation, this paper discusses the role of objective color and subjective color in the digital animation design, and explains how to apply objective color and subjective color to specific digital animation design, so as to mould the appropriate animation scene space and express the emotional characteristics of the animation.


Han, L., 2017. Research on color collocation of animation -- discussion on the application of color in animation creation. Journal of Taiyuan University (Social Science Edition), 18(06), 73-76.

Li, Y., 2008. Discussion on the virtual characteristics of movie and television animation art. Journal of Southwest University for Nationalities (Humanities and Social Sciences Edition), (02), 174-176.

Ma, L.X., 2008. On aesthetic appeal of digital cartoon. Journal of the Party School of CPC of Changchun Municipal Committee, (4), 68-73.

Qin, H.C., 2011. Aesthetic features of digital animation in design. Guangxi Journal of Light Industry, (11), 111-112.

Wang, H.; W, S.G.; Su, S.Y., and Gao, W.C., 2009. Creative design of animation. Beijing: Beijing University of Posts and Telecommunications Press, 15.

Yang, J., and Liu, J., 2012. Color in animation, Beijing: China Youth Press, 34.

Yu, Y.S., 2015. Research on the ideographic function of color language in animation. Hunan Normal University, 9-10.

Zhang, N., and Wu, M.L., 2015. Analysis of the application of color in animation creation. Journal of Shenyang Jianzhu University (Social Science Edition), (6), 578-582.


  • There are currently no refbacks.


 Copyright  2019 Hermathena. All rights reserved.